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The Universe of Music, by Marina Korsakova-Kreyn
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This is the story of music in visual metaphor. What makes music the "language of emotions," and why do we react to music at all? The author, a professional pianist and scholar in music cognition, compares our perception of music with orientation in 3-D space. The key metaphor is an image of a melodic object shaped by a tonal force field. Here, melodic elements are compared directly to geometric proportions, and some identified as artistic "universals." At the core of the aesthetic experience in music ultimately lies the mystery of non-linguistic human communication - its ability to generate emotions and even thought. This places the art of music at the center of contemporary discussion on the theory of mind.
- Sales Rank: #4373295 in Books
- Published on: 2010-09-19
- Dimensions: 8.50" h x .18" w x 5.50" l,
- Binding: Paperback
- 76 pages
About the Author
Marina Korsakova-Kreyn, a professional pianist and scholar in music cognition, was trained as a classical pianist in Russia. Upon graduation from Nizhny Novgorod Conservatory she worked there as a staff pianist. Following her interest in philosophy, Marina took two years in physics and mathematics at Nizhny Novgorod University and eventually became a student in cognition and neuroscience at The University of Texas at Dallas. Music was always at the center of her studies. As a passionate music educator, Marina designed and presented lecture-performances on Time-Space of Music at art and architecture schools in the US, Canada, and Russia. These lectures became the foundation for her research in quasi-spatial properties of music that predicted modality transcendence in melodic perception. This prediction has recently received the supporting evidence from two imaging studies conducted at McGill University. Her PhD dissertation is an original study in navigation in tonal space. In this study Marina proposes a new model of emotional processing in music. The Universe of Music is her first book.
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An Enlightening Quick-Read
By Christa Vassilli�re
The Universe of Music is a comprehensive overview of the visual mechanisms the brain uses to make sense out of and create music. Korsakov-Kreyn takes the concept of time-space and applies it to music: she illuminates the direct relationship between certain proportional laws of architecture and the proportional laws of the Pythagorean intervals of tones in music, and how these tonal proportions are arranged in time to create a sense of meaning and therefore experienced emotion within all of us. She also gives a historical account of Western music, elucidating the theoretical differences between each musical era from the time of Gregorian chants to post-Second Viennese School. No previous knowledge of these terms or knowledge of music theory is required however - a "Useful Terms" section is provided as a reference. She incorporates into her essay numerous scientific studies examining music from this spatial perspective along with other relevant topics in music cognition. All studies and related readings are catalogued, allowing for further exploration by the reader. Physicists will enjoy the String Theory references, linguists will be enlightened upon reading about the relationship between language and music, and cognitive psychologists and neuroscientists will see the mind from a new perspective.
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